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K. K. Hebbar (1911–1996)

AI-generated adaptation of “K. K. Hebbar” CC BY-SA 4.0, via Wikimedia Commons.
Changes: AI re-creation and tonal adjustments.
This image is licensed under CC BY-SA 4.0.

AI-generated adaptation of “K. K. Hebbar” CC BY-SA 4.0, via Wikimedia Commons.
Changes: AI re-creation and tonal adjustments.
This image is licensed under CC BY-SA 4.0.

Overview
Among India’s foremost modernists, Hebbar fused Western academic training (Sir J. J. School of Art; Académie Julian, Paris) with Indian folk and classical idioms. His evolving style spanned rural life, dance forms like Kathak, and a deep social conscience.


Vitrum & Practice
Hebbar visited Vitrum to meet Simon Lifschutz, sip tea, and occasionally paint on ceramic tiles. He also made a coffee-table top at the Studio. A tiled mural of musicians graced the Vikhroli factory, embodying Vitrum’s belief in art woven into daily life.


Selected Works at Vitrum
• Coffee-table top (approx. 18" × 36").
• Tiled mural of musicians at the Vikhroli factory.
• Hand-painted tiles.


Interesting Facts

• Padma Bhushan (1989). Exhibited Venice & São Paulo Biennales.
• Preferred independence over institutions; taught and mentored widely.

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